Sophie Zanninou Has an Uninterrupted Presence in the Performing Arts
There are many such moments, because I was lucky to work with great artists such as Thanassis Veggos, Kostas Chatzihristos, Nikos Stavridis, Nikos Perakis, Harry Klin, Antonis Kafetzopoulos, Nikos Kalogeropoulos, Georgia Vassiliadou, Maria Georgiadou, Smaragda Karidi, Alekos Syssovitis, Chryssoula Diavati and many more.
As for television, I worked with Nikos Sergianopoulos, Mirka Papakonstantinou, Jessie Papoutsi and Penelope Pitsouli.
Also in the theater with Giannis Zouganelis, Eleni Kastani, Antonis Loudaros, Zeta Douka, Penelope Anastassopoulou. With all the old directors such as Alekos Sakellarios, Orestis Laskos, Kostas Karayiannis, Leo Bartlett.
I sang with Giorgos Marinos, Marinella, Giorgos Gerolymatos, Harry Klin, the Tzavara brothers, Dakis, Thanasis Bratzioti, Giannis Zouganelis and many others.
I especially remember collaborations with maestros such as Giorgos Katsaros, Mimis Plessas, Giorgos Pagiatis, Giorgos Theodosiadis, Giorgos Chatzinassios.
The most important lesson I learned from them is respect.
I had an unfulfilled collaboration with Manos Hadjidakis. When the iconic Athens Tower, the country's first 26-story skyscraper, was being built, businessman Dimitris Antonakis envisioned an ultra-luxurious roof garden at its top and entrusted Manos Hadjidakis.
Discussions took place; the concept was locked. Exhaustive rehearsals completed, the act reached the final rehearsal. Unfortunately, there was never a premiere.
There are changes and there aren’t. Everyone says that back then there were those stunning and great actors. Yet, because I work with many very young actors, I must tell you I have seen exceptional talents, girls and boys, whom I have admired and applauded.
We have equally great actors as in the old days and time will prove me right, because we truly have very good actors.
Things change anyway; the tools are different, and old performances had their magic, but new ones with new tools, such as lights, sound, etc., also create a magical result.
That I must portray and adopt a new character like the one I did in the Grand Hotel TV series, which I had never done before and there is always a tremendous charm and a strong challenge in everything new.
Now, in the Your Face Sounds Familiar TV show, I was teaching acting and it was a major challenge because we did 120 disguises, i.e., the artists impersonated 120 different characters, different singers and that was a great charm, a great challenge and we pulled it off.
That was a great joy for the EXCEPTIONAL participants and me!!! Wonderful, talented singers and actors, each better than the other.
What I took from my own family is honesty, courage, hard work and love.
Usually, I don’t advise people because every person is unique; every character is unique; what may suit me may not suit another person.
Just go with honesty in everything you do because that gives truth and you see the real image of any situation.
Always proceed with honesty, open-mindedness and open-heartedness, without a second thought and you will nail it.
Whenever people go with malice and cunning, they are ruined. Whatever you do, do it with sincerity, courage and love. The universe will compensate you.
There is a cosmic balance, as if everything we do is recorded: the good and the bad. What we sow is what we reap; that is the only sure thing.
Of course I see it, but I also see another thing: the older generation was usually experiential; there were no acting schools, and there were not many stimuli.
Now all the young actors, singers, and dancers receive a great education, and this is a great asset for an artistic career.
Money and fame should come second. Colleagues and the quality of the work should be priorities, as should the love of making artistic work.











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